Sinfonia para un hombre solo

Es para nuestro fortunio que las primeras impresiones suelen derrocar lo que se creyó ser comprendido. Three compositions more synthetic and syncretic character than electronic or acoustic.

It is for our benefit that first impressions tend to overthrow what was believed to be understood. And this is how José Gallardo compressing the quotidian of his spatial impressions, merely through the sound, offers us a dynamic delight in this work. The titles enable us to decipher the complex themes exposed here; the Colombian composer re-assembles and instrumentalizes himself as inducer and insulator of his audible surroundings through sonic scrutiny of his environment.

Es para nuestro fortunio que las primeras impresiones suelen derrocar lo que se creyó ser comprendido. Three compositions more synthetic and syncretic character than electronic or acoustic.


  • Sinfonía para un hombre solo | .
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It is for our benefit that first impressions tend to overthrow what was believed to be understood. And this is how José Gallardo compressing the quotidian of his spatial impressions, merely through the sound, offers us a dynamic delight in this work. The titles enable us to decipher the complex themes exposed here; the Colombian composer re-assembles and instrumentalizes himself as inducer and insulator of his audible surroundings through sonic scrutiny of his environment.


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